Women warriors are responsible for a significant portion of the hardest work and, as expected, serve as the primary draws, something that Prince-Bythewood makes clear right away. The year is 1823, and after a bit of quick and dutiful place-setting, the movie takes flight with a showy battle, an entrance that grabs you by the throat and gets the story and the blood flowing, including yours. The women soldiers, led by the battle-scarred General Nanisca (Viola Davis), emerge like hallucinations, with their bodies oiled to a high gleam. However, Prince-Bythewood makes them feel as real as anything else. Suddenly, the screen is filled with frantic movement, with bodies rising and falling in unpredictable patterns.
The battle sequences are intense, and they adhere, more or less, to the principles of physics. Even during the darkest hours of the night, Prince-Bythewood manages to ground you both in the battleground and the ensuing chaos of the conflict. They serve to tether you visually and, by extension, bolster the realistic quality of the film. To put it another way, she places you smack dab in the middle of the action so you can observe how these women soar. They can accomplish this goal not through the use of superhero capes or fantastical spells but rather through the use of swords, weapons, twirling ropes, and the occasional gun; in addition, they have long, razor-sharp fingernails that can scoop out the eyes of their enemies, and thighs that can crack men like walnuts. Visit afdahtv for movie movies and tv-shows.